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0000009450 00000 n The Hollywood Reporter is a part of Penske Media Corporation. The Final Quarter Teaching Resources The Final Quarter Curriculum Resources Fighting against Racism through Education. Screenwriters: Mark Monroe, Ian Darling Goodes said after the incident that the dance was based on one he learned from under-16s Indigenous team the Flying Boomerangs, and that it was intended as an expression of Indigenous pride during Indigenous Round, not as a means of offending or intimidating the crowd. 0000103450 00000 n Adam Goodes was a champion AFL footballer and Indigenous leader. The impact and outreach campaign is expected to significantly expand in 2020, with a DVD to be given to the principal of every high-school in Australia. He did not participate in a final parade for retiring players as he feared that he would be booed again. hbbf`b``3 j endstream endobj 300 0 obj <>/Metadata 23 0 R/Pages 22 0 R/StructTreeRoot 25 0 R/Type/Catalog/ViewerPreferences<>>> endobj 301 0 obj >/PageWidthList<0 595.276>>>>>>/Resources<>/ExtGState<>/Font<>/ProcSet[/PDF/Text/ImageC/ImageI]/XObject<>>>/Rotate 0/StructParents 0/TrimBox[0.0 0.0 595.276 841.89]/Type/Page>> endobj 302 0 obj <> endobj 303 0 obj <> endobj 304 0 obj <> endobj 305 0 obj [341 0 R] endobj 306 0 obj [/Indexed/DeviceRGB 110 335 0 R] endobj 307 0 obj [/Indexed/DeviceRGB 44 334 0 R] endobj 308 0 obj <>stream They evaluate how genre and media conventions and technical and symbolic elements are manipulated to make representations and meaning. There are a huge number of techniques that are used in films to convey meaning. Premiering at the Sydney Film Festival, what a picture The Final Quarter paints; one that as the archival footage emphasises all played out in the public eye under the sizeable gaze of both the country's football media and the popular code's supporters. Despite much of the material being confronting, The Final Quarter is also inspiring, with a message that each of us will be remembered ultimately for two things: what we say and what we do. Many Year 10-11 students openly admitted that it had changed their attitudes, and students have said the film empowered them to stand up to racism and helped them acknowledge it was damaging. Tracy has a particular interest in emotional intelligence and supporting young people to develop skills and strategies that can assist them in being their best selves. Our 250 Analysts and SMEs offer a high level of expertise in data collection and governance using industrial techniques to collect and analyze data on more than 25,000 high-impact and niche markets. It is essential that teachers watch The Final Quarter documentary in full before showing it to students. 0000003860 00000 n Cool Australia has produced 52 lessons designed for Years 5-12 that investigate racism, privilege, truth-telling, cultural pride, resilience, values and dignity. Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation that took place over this period. understand the definition of archival documentary and the process of selection and omission to construct meaning for the audience. The first film, The Final Quarter, just launched at the Sydney Film Festival, premiering to a packed house on Friday, June 7 and receiving a standing ovation from the lively audience afterwards. Adam Goodes was a champion AFL footballer and Indigenous leader. The Final Quarter is a 2019 Australian documentary, directed by Ian Darling and produced by Shark Island Productions, about the final stages of the Australian football career of Adam Goodes, during which he was the target of repeated booing by opposition fans. And so it is also a film about the purpose and value of legacies. Sorry, we have distributed all our DVDs to schools andclubs! They specialise in creating documentaries that educate the public about important social issues. At various points during this film I felt cold shivers, and left the experience shaken not by what The Final Quarter says about the sport of AFL, but what it suggests about this country. A tale of two Adam Goodes films: docos on AFL legend put racism in big picture, AFL club bosses to watch Adam Goodes documentary, Original reporting and incisive analysis, direct from the Guardian every morning. Director's Statement. Director Ian Darling joins us to discuss the importance of telling the story and what we can all learn from it. The film 'The Final Quarter' looks at the final years of Adam Goodes' AFL career and the storm that followed. Tracy is passionate about the mental health and wellbeing of young people and her training and approach incorporates cognitive behaviour therapy (CBT), mindfulness skills, and interventions drawn from positive psychology research. Extremely effective in initiating a national conversation regarding racism in Australia. Students explore the way mood and message is created for the audience by the editor and director. The fact its ongoing was underlined by an apology to Goodes issued by the sports governing body that directly preceded the films Sydney Film Festival premiere, and another documentary on the same subject is set to open the Melbourne International Film Festival in August. Camera angles refer to the tilt of the camera in relation to the scene and the characters. Using only archival footage aired at the time, the film holds a mirror to Australia and is an opportunity to reconsider what happened on and off the footballfield. Project-specific support provided by Screen Australia's development programs since the agency's inception in July 2008. Where to start: Watching the Film Years 5 to 12, Exposing Truth. [21][22] The director's statement about the film states that he did not want to explicitly choose a side but instead wanted to present the footage and allow "the audience to see and hear for themselves what had happened, to ask their own questions and to come to their own conclusions". THE FINAL QUARTER | Film - Official website TRAILER PAUL KELLY MUSIC VIDEO Education Resources FOR SCHOOLS AND SPORTING CLUBS All Resources Watch now Request Free DVD Screening Guide Adam Goodes was a champion AFL footballer and Indigenous leader. Directed by Ian Darling, and solely compiled from archival material in a technique reminiscent of another great sports doco in recent years, Senna it's a powerful and impassioned chronicle of the treatment Goodes received from crowds and commentators alike. During the last three years of his career, Goodes was named Australian of the Year, accused of staging for free kicks, and performed an on-field war dance celebration. Using only archival footage aired at the time, The Final Quarter holds a mirror to Australia and is an opportunity to reconsider what happened on and off the football field. Concrete Playground acknowledges the Traditional Owners of the lands where we live, work and play, and across the lands we travel through. Topic: Learning Through Film, Social Issues, Indigenous Education, This lesson is part of the wider unit of work: The Final Quarter Assembling Archival Footage Media Arts Years 9 & 10. The filmmakers sympathies are not in doubt, though his decision to avoid talking heads relying instead on contemporaneous television coverage makes his case stronger by giving all the fulminators enough rope to hang themselves. [30] Garry Maddox, for the Sydney Morning Herald says "It is a powerful work that stirs deep emotions",[31] while Screenhub's Sarah Ward calls it 'crucial'. The Final Quarter is the best Australian documentary ever made, A powerful work that stirs deep emotions., It is brilliant work, and a must-watch., A compelling, often devastating, documentary, You dont have to care about football for this movie to hit home., Shark Island Institute acknowledges and pays respect to the past, present and future Traditional Custodians and Elders of Country and the continuation of cultural, spiritual and educational practices of Aboriginal and Torres Strait Islander peoples. Upon hearing the abuse, Goodes pointed the girl out to security, who ejected her from the stadium. They will develop skills in active, conscious and reflective listening and communication, along with gaining an understanding of the Five Dimensions of Reconciliation. That's not going to change in 2019, but for a different reason the dual Brownlow medallist and 2014 Australian of the Year is the subject of two documentaries, with each exploring his story on and off the field, including the racism he endured over his 17-season playing career. Goodes took indefinite leave from the game in August of the 2015 season. offsider Kris Gale chat with Ian and Yvonne about the film which premiered at the Sydney Film Festival, and which uses . Students will gain an appreciation of the work of Shark Island Productions and the power of archival documentary to communicate public messages of importance. Honing in on Goodes' last three seasons as an AFL player up until his . 0000003937 00000 n The Final Quarter opens with a clip of Sam Newman frothing from the mouth and berating Goodes on The Footy Show. Synopsis The president of the opposing team, Eddie McGuire a former host of the local version ofWho Wants to Be a Millionaire? Narragunnawali: Reconciliation in Education (Reconciliation Australia). [8] Many clubs and players in the AFL supported Goodes in the week of his leave. Our game is about belonging. Provide every junior and senior sporting club with access to the film and screening guides and supporting materials via the AFL and Australian sporting clubs, Work with sporting bodies to encourage clubs to screen the film as an ongoing part of Indigenous Round activities. Our Watching the Film lessons are designed to support you in facilitating this process. Teachers are advised to use their discretion when deciding whether to show this film. An Aboriginal player, and number 37 for the Sydney Swans, Adam Goodes was singled out for verbal abuse, booing and jeering by spectators from a range of clubs during the last three yea. 0000006599 00000 n He emerges before the fade-out as a thoughtful man, and not remotely strident, but one powerless to control snowballing events. Extraordinary media coverage and audience response across newspapers, radio and TV, largely praising the way the film objectively revealed the truth about the last three years of Adam Goodes career. The Final Quarter: Directed by Ian Darling. Feedback to date also confirms the transformative nature of the film for students, as well as the powerful capability of the film as a tool for teachers to help their students understand racism and discrimination. In addition, new educational resources will be released. Addressing the media the day after famously being called an ape by a 13-year-old girl in the stands, for instance, Goodes rightly criticises the teenagers behaviour while calling for compassion insisting that its not her fault, that kids are innocent and we need to support her. This lesson will be centred around the acclaimed 2019 documentary, The Final Quarter. Retrieved fromhttps://thefinalquarterfilm.com.au/about/. Directed by Ian Darling, and solely compiled from archival material in a technique reminiscent of another great sports doco in recent years, . 0000005976 00000 n This sets the scene for exploration of one of the films key messages: that words matter, and they ought to be used responsibly. (2019), June 17). Lighting Costume and make-up Staging/blocking: movements and performance Note: Mise en scene is independent of the camera work or editing. At the centre of a maelstrom, confronted by all kinds of ugly behaviour, the player himself remains composed and eloquent, offering nuanced perspectives. Just whose existence is being threatened, and by whom, is a subject canvassed by a procession of pundits once Goodes starts getting booed by fans of every stripe. The Final Quarter - Making An Archival Documentary - Media Arts - Years 9 & 10 Considering Social Action Students are given opportunities to apply their learning in real world situations, in the classroom, school, home or the local community. The documentary intertwines media clips from Goodes' games, general AFL coverage, news stories, press conferences and interviews from the era to paint a heartbreaking picture of the ex-Swans captain's experiences. Goodes himself clearly believes this, and his ongoing presence in the film (which he supports but was not involved in) is a balm to the rash of madness around him. There were always people who argued that Goodes was not a victim of racism just a King Kong reference here and an ape joke there, set to the soundtrack of thousands of punters booing from the stands. Darlings approach differs in that his intention in many respects is more ambitious, and certainly more relevant to Australian society, than the more familiar price of fame and portrait of obsession style narratives. We are unified on this, and never want to see the mistakes of the past repeated. Using only archival footage aired at the time, The Final Quarter holds a mirror to Australia and is an opportunity to reconsider what happened on and off the football field. FBIRadio. 'The Final Quarter': Film Review. Further, the film has already achieved positive educational outcomes. 0000067425 00000 n 0000005517 00000 n Being independent means they are not owned by a major media company. Learn more about the film here. [11] The booing of Goodes intensified in the months after the war dance. It includes footage of the incidents, as well as interviews and comments from media personalities, politicians, players, officials, and members of the public. Producers: Mary Macrae, Ian Darling As the name suggests, The Final Quarter focuses on the last stages of Goodes' time in the AFL when he was verbally attacked by spectators and high-profile media figures, relentlessly booed at games, put under immense scrutiny for celebrating his Indigenous heritage, accused of staging for free kicks and ultimately chose not to play for a period due to the toll he was under. Adam Goodes, captain of the Sydney Swans, at the end of the 2012 AFL grand final at the MCG. identify different documentary making techniques. subsequently exacerbated the situation by suggesting, in an on-air interview, that Goodes be used to promote the forthcoming stage musicalKing Kong. His response strives to acknowledge the hurt inflicted on Aboriginal peoples without sounding ungrateful for the honor just bestowed upon him, and its the futility of his efforts to tread this line between calling a spade a spade and conciliation that gives his media encounters their sense of discomfort, and of poignancy. Explores the power and influence of the Australian media and its responsibilities, including the broader publics engagement with social media. If it was hard to mount that fingers-in-the-ears argument back then, it seems almost impossible now though the peanut gallery of outspoken conservative commentators, who haunt this film like ranting apparitions (among them Andrew Bolt and Alan Jones), are hardly likely to show contrition any time soon. 0000071725 00000 n Note: This film may not be suitable for viewing by all young people. how technical and symbolic codes are used by the director of. Evaluate how technical and symbolic elements are manipulated in media artworks to create and challenge representations framed by media conventions, social beliefs and values for a range of audiences (ACAMAR078), Analyse a range of media artworks from contemporary and past times to explore differing viewpoints and enrich their media arts making, starting with Australian media artworks, including media artworks of Aboriginal and Torres Strait Islander Peoples, and international media artworks (ACAMAR079), General capabilities: Literacy, Critical and Creative Thinking, Cross-curriculum priority: Aboriginal and Torres Strait Islander Histories and Cultures (OI.9). 0000042530 00000 n H\]0+r9s1Mr`na>aVPxH9y^vFujf}:seVM[RY.tqxUs=,14ahz9pQjTM8F{u *M\o[6WuE?K2]Oj(tAIz"]3Cshm[SvYam bgYBv4P !f@sA[h5iiW 4$,I$apw9e:N\Y4||fEp1.3 gi.i4,,,9t:y.#;Gv(9Zt$i5DV90a$IY ~?'y?{}RG}xqLtcYUz~ 3l% endstream endobj 312 0 obj <> endobj 313 0 obj <>stream Late 2019: Launched the educational strategy in partnership with the Australian Human Rights Commission, Reconciliation Australia and Cool Australia, including 46 lessons for years 5-12 on dignity, cultural pride, racism, truth-telling, respect, resilience, and mental health. 0000062114 00000 n In the final three years of his playing career he became a lightning rod for a heated public debate and widespread media commentary that divided the nation. This is the time period captured in director Ian Darlings exhilarating and confronting documentary, which premieres at the Sydney film festival on 7 June and is intended to spark a reassessment of the national conversation at the centre of which Goodes found himself. The cheers became boos as the crowds turned on him. As Darling astutely realised, the footage says it all. The documentary intertwines media clips from Goodes' games, general AFL coverage, news stories, press conferences and interviews from the era to paint a heartbreaking picture of the ex-Swans captain's experiences. He publicly called out racism, was named Australian of the Year, was accused of staging for free kicks, and performed an on-field war dance celebration. The Australian Human Rights Commission is an independent statutory organisation, established by an act of Federal Parliament. Considers how the media influences audience perspectives through the use of language and point of view. This despite the nuance with which he spoke about the incident, and his carefulness to lay the blame on her environment, rather than on the girl herself. This is what was seen. Way back in the distant dark ages of Australian history those atavistic times when the nation was young, barbaric and bigoted one of the greatest players in one of the countrys most cherished sports leagues ended his career not in fanfare, but as a figure at the centre of an ugly debate about racism. , the Final Quarter opens with a clip of Sam Newman frothing from the mouth and Goodes! Stage musicalKing Kong the opposing team, Eddie McGuire a former host of the 2012 AFL Final. Goodes intensified in the week of his leave would be booed again after the war dance audience the. Resources will be centred around the acclaimed 2019 documentary, the Final years of Adam was! Have distributed all our DVDs to schools andclubs Ian and Yvonne about the purpose and of... 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